Archive | Arts & Culture

Yellowstone meets the Galilee: Nationalizing resources, eliminating people

By D. W. Aossey

Staff Writer

 

 A new biography titled “The Wilderness Warrior: Theodore Roosevelt and the Crusade for America” has recently hit book stores, and once again the term “crusade” appears in the title of another product of America’s conservative media. In the case of President Theodore Roosevelt, however, it’s indeed appropriate, for the legacy of our 26th president is a controversial one; one that involves the confiscation of some of America’s most resource rich land holdings. And it is a legacy that reveals just how closely the land policies of the Capitalist State of America and the Zionist State of Israel are intertwined. Read the full story

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Des Moines church screens “Beyond Our Differences”

By Michael Gillespie

Contributing Editor

 

In the first part of a program he hopes will enhance interfaith relations and expand the interfaith conversation locally, Rev. Matthew Mardis-LeCroy, Minister of Spiritual Growth at Plymouth Congregational Church in Des Moines, led a group of about 40 people in discussion following a screening of Beyond Our Differences on Sept. 15. Read the full story

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Hand-drawn map documents eradicated Palestinian village

By Pat McDonnell Twair

Contributing Editor

 

Museums customarily showcase paintings and sculptures by the masters, archaeological treasures or religious icons. However at the Arab American National Museum in Dearborn, MI, a special niche exhibits a simple handmade map that is unique for being the only map drawn from memory by a Palestinian expelled from his village. Read the full story

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‘The Informant’ premiere in Santa Monica attracts audiences

By Jessica Abu-Ghattas

Contributing Editor

 

SANTA MONICA, Calif. — Anxious movie-goers gathered at Santa Monica’s Aero Theater Sept. 18 for the Los Angeles premiere of The Informant, director Steven Soderbergh, producer Greg Jacobs and screenwriter Scott Z. Burns’ comedic vision of the Mark Whitacre scandal of the early 90s. Read the full story

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Book review: Sabra and Shatila

By Mazin Qumsiyeh

Courtesy of http://qumsiyeh.org

 

“Sabra and Shatila: September 1982″ Bayan Nuwayhed Al-Hout, 2004, Pluto Press, London and Ann Arbor, MI, 462 pp., 36 photographjs, 5 maps Book Review published in the Holy Land Studies Journal, Spring 2005 by Mazin Qumsiyeh Read the full story

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Arlington West stages ‘Cross My Heart,’ an original play condemning all wars

By Pat McDonnell Twair

Contributing Editor

 The world premiere of “Cross My Heart,” an operetta of voices from war played to a standing room only audience, was held on Sept. 12 in Hollywood’s Renberg Theatre. The original script containing actual statements of soldiers and civilians scarred by the Iraq War was written by Peter Dudar and Sally Marr. Read the full story

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AFSC-LA hosts ‘Colors of Arab World’ exhibit

Alle Ghadban explains the high points of Dalah Fayrouni's oil painting "Three Religions One Holy Land" to his son, Michael, 8, at AFSC-LA exhibition. (Photo by Samir Twair)

Alle Ghadban explains the high points of Dalah Fayrouni's oil painting "Three Religions One Holy Land" to his son, Michael, 8, at AFSC-LA exhibition. (Photo by Samir Twair)

By Pat McDonnell Twair, Contributing Editor, and
Samir Twair, Staff Writer

Nine Southland artists are featured in a “Colors of the Arab World” themed exhibition which runs through Nov. 12 at American Friends Service Committee-Los Angeles, 634 S. Spring St. Many were on hand for a July 9 reception opening the show.

Two of the exhibitors, Reem Hammad and Paul Batou, also are writers and read from their works along with poet Vivien Sansour.

Paul Batou with his painting, entitled "Graveyard."

Paul Batou with his painting, entitled "Graveyard."

Batou, who was born in Iraq and holds a degree in pharmacy from the University of Baghdad, began exhibiting his art work in 1980. He served as a medic during the Iran-Iraq War and immigrated with his family to Los Angeles in 1989. My Last Thoughts of Iraq is the title of  his book of poetry published by Xlibris in 2007. He read his poem, “Identity.”

I am not Assyrian, or Chaldean or Akkadian.
I am not a Christian or Muslim or Buddhist.
I am human.

I was born in Mesopotamia, Uruk, Nippur, Shuruppak,and Sippar.
I am a son of Enlil, Shamash, and Gilgamesh.
I am a son of Ishtar, Ea, and Nunsun.
I was killed once by a flood,
And a million times by a creature,
Called human,
Called a country.
I was killed by a nation,
Or United Nations.

Sansour, who was born in Bethlehem, is active in youth theater. She read from her most recent poem, “Stolen Pomegranates”:

I wish to forget
Then I wish to remember.
I save pieces of an old dress
A stone
And then I cry forgetfulness
Never want to forget the smell of the press
Figs in August
And the seedlings of fakous
Straight from Beit Sahour
I wish I could forget
And so I remember in details
You gave me a stone
From el lid you said
My mother’s home town
She walked three days and three nights
No luggage
No gold just this stone
I give it to you so you may never forget.

Reem Hammad displays her wheel-thrown plate, "Birth of a star." (Photo by Samir Twair

Reem Hammad displays her wheel-thrown plate, "Birth of a star." (Photo by Samir Twair

Hammad, who is a native of the Syrian city of Aleppo, holds a bachelor of fine arts degree from UCLA read from her work, entitled “Jasmine,” which was published this year in the anthology, Sisters Singing (Wild Girl Publishing).

Ceramics by Hammad, who is president of International Muslimah Artists Network (IMAN), on view in the exhibition include a group of wheel-thrown vases entitled “Whirling Sextet.” Each of the pieces was altered under high fire glazes to simulate the movements of dervishes.

“Native American Inspiration” is the title Hammad selected for a burnished coil-built bowl of earthenware clay fired in a low fire kiln. A favorite of the reception crowd was Hammad’s wheel-thrown and carved plate named “Birth of a Star” which features an eight-pointed star.

Other participating artists are Sam Hassan, Brien Biery, Dalah Faytrouni, Muhammadi Zuhal Karamanli, Gary Simpson, Rev. Wilfredo Benitez and Omar Yashruti.  For information on exhibition hours, please call 213 489-1900.

Published in The Independent Monitor September 2009 issue.

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Bittersweet Arab film, ‘Amreeka,’ opens Sept. 4

Nisreen Faour as Muna in Amreeka. (Photo courtesy of National Geographic)

Nisreen Faour as Muna in Amreeka. (Photo courtesy of National Geographic)

By Samir Twair
Staff Writer

In the opening scenes of “Amreeka,” which opens in Los Angeles on Sept. 4 and Sept. 18 in Orange County, Muna  (Nisreen Faour) decides to take advantage of a U.S. Green Card opportunity and immigrate with her teen-age son, Fadi, after one too many altercations with an Israeli soldier at a Ramallah checkpoint.

Still somewhat uncertain about the momentous move, the divorced Muna warns 16-year-old Fadi (Melkar Muallem), “We will be strangers in Amreeka.”

Fadi sagely replies: “It’s better than being foreigners in our own country.”

Dreams of an untroubled life in the U.S. soon sour for Muna and Fadi who join the household of Muna’s sister, Raghda (Hiam Abbass of “The Visitor” and “Lemon Tree”) her physician husband, Dr. Nabeel (Yussef Abu Warda) and their three daughters.

There may be no Israeli military checkpoints in rural Illinois, but there is Read the full story

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Iowa City street theater troupe gives voices to Palestinian women

L to R, Bryson Dean, Erma Edwards, Shams Ghoneim, and Wendy Barth portrayed Gaza women in a street theater performance in Iowa City. (Photo by Michael Gillespie)

L to R, Bryson Dean, Erma Edwards, Shams Ghoneim, and Wendy Barth portrayed Gaza women in a street theater performance in Iowa City. (Photo by Michael Gillespie)

By Michael Gillespie
Contributing Editor

Shams Ghoneim and four of her colleagues met on the Pedestrian Mall in Iowa City on Friday, July 24 to give voice to the voiceless women of Gaza. Their monologues and colorful traditional Palestinian dress turned the heads of some passersby. Others stopped to listen.

“It’s an issue of justice and peace,” explained Shams Ghoneim, who, born in Egypt, has lived in Iowa for 42 years. She serves as the Iowa Coordinator of the Muslim Public Affairs Council, which is headquartered in Los Angeles, CA.

“We have been involved in many interfaith dialogs– Christian, Muslim, and Jewish, and I know all of us who are involved would like a lasting peace in that very beloved part of the world which is the sacred home of all our three religions,” said Ghoneim.

“There has been a lot of bloodshed, many injustices, and many mistakes on both sides, so we are here to raise awareness which is much needed regarding the daily lives and the struggles Read the full story

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Sinsyrianly, Offendum

Omar Offendum

By Sarah Alaoui
Staff Writer

Amidst the debris of 9/11, strong voices emerged-some good, but many only added to the tension-ridden atmosphere. Some people chose to use this disaster to promote and reiterate stereotypes, stirring up more hatred and dividing communities in the process. On the other end of the spectrum, however, an influx of Arab-American artists, poets, musicians and comedians made it their mission to lift the veil of hurt and confusion that seemed to envelope the country for so long and lead us, step by step, to the path of understanding and perhaps, acceptance.

Among the talents that became known during this crucial time for our country and our Arab communities, is Syrian-American hip-hop artist Omar Offendum. Born in Saudi Arabia, he immigrated to the United States at age four with his family where he was raised in the Washington D.C. area. There, he attended The Islamic Saudi Academy up through the end of high school where he learned how to read and write Arabic fluently.

He studied architecture at the University of Virginia, which was where his appreciation for music and hip-hop materialized itself into a side hobby and a thriving passion.

“I began making beats, writing lyrics and performing at local venues and parties with Read the full story

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